Trusted by
WinnerJerry Goldsmith Award
Winner230+Episodes scored & delivered
6Animated feature films
90Players on our largest session
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Our Work
A hundred-second reel, the productions behind it, and five minutes of actual score.
A quick tour through what we’ve scored.
Features, long-running series and award-winning shorts — with the production discipline it takes to deliver up to 40 minutes of finished score per week.
Feature
Series
Series
Feature
Series
Short
Short
Straight from the score — five short cues, no dialogue, no foley, just the music.
How we work
Twenty years of series pipelines taught us one thing: great music is a production process, not a lucky accident.
We agree on a single point of creative feedback on your side. No contradicting notes, no committee loops — your schedule stays intact.
Themes and suites land on your desk before animation locks. Course-correcting a sketch costs hours; fixing a finished score costs weeks.
Weekly delivery rhythms, transparent cue status, a scalable team. We have delivered up to 40 minutes of finished score per week — for 52 episodes straight.
Mixed stems, cue sheets, rights paperwork done. Your sound supervisor gets files that just work — and we reply to every message within one business day.
Also fluent in ZDF, KiKA, ARD and SUPER RTL broadcaster workflows, and experienced with European co-production structures like Netflix and Constantin Film. Able to meet German regional-spend requirements in several regions (including MDM).
The studio
Core team plus a trusted network of arrangers, orchestrators and musicians — small enough to care, big enough for 52 episodes a season.
Working with John Powell on How To Train Your Dragon sparked Stefan’s love for animation scoring. Whether it’s full orchestra or a ukulele and a shaker — size never matters, the story does.
Alongside that: studies in Vienna, Berlin and Babelsberg — composition, film scoring, media composition.
230+ episodes across several long-running series taught him that a great team is as much a part of the craft as the music itself.
Off the recordWrites best after a plate of Linguine al Limone.
Derik is the one who can tell you exactly where every cue stands, at any moment. When things get busy, he’s the reason nothing falls through the cracks.
Andreas has orchestrated The Physician, Measuring the World and every Hanni & Nanni film, and arranged for names like Harold Faltermeyer and Grammy winner Alex Geringas.
Matthias has spent his career on the business side of film music. He handles quotes, contracts and scheduling, so the conversation stays about the score.
Awards & Nominations
Production
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